The Sickening Abyss by Nieves de la Fuente Gutierrez Nerva is kind of home. It is an open copper pit and a paradox of the human relation to the planet and the human bodies. It was a collateral damage at first and at the present an example of how the planet is becoming hostile to humans. Its human-produced alien appearance is furthermore an assistance in order to prepare us for leaving the Earth. [Read on] To move, use letters W, A, S & D. Mouse click for interaction. Full screen to play. Please be patient, the game takes time to load! [home] Home is where the heart is. Home is where it hurts ... In an apparently dead river of the area, were found extremophile bacterias, maybe interestig for martian investigations dealing with survival strategies. But how to deal with the bodies for production, extraction and movement of the final frontiers? How did the paternalistic domestification of the miner’s bodies make them imitate an extreme and invisible form of life? If “home” is already delocated, where do we find it’s memories? Have the cavities of the mine been inverted and turned solid filled with ireal memories? This place had always been martian… its living organisms are species surviving in the abyss of life. On this page you can play the video full screen: https://itch.io/embed-upload/520791?color=333333 Nieves de la Fuente GutierrezMadrid, 1988*. Study at UCM (Madrid) and Kunsthochschule Kassel. Postgraduate study at the Academy of Media Arts Cologne (2013-16). Exhibited at EMAF’17, BBK Room, Matjö (2016, solo), Animafest Zagreb’16, Werkleitz’15, Meinblau Berlin (2015), Art Cologne’15… The project “Caracaballo” is shortlisted at “digitale Skulptur 2016” Ulm. In 2014 Promotion Price awarded by the Academy of Arts Cologne and artistic residency in Montepulciano, Italy. In 2015, artistic residency in Montréal, Canada. digital residency warehouse grants six Digital Residencies in the duration of the project. The Residents deal with the production conditions of the internet and its practices of archiving.