reproduction is the attempt to archive liveness. Events, recordings and notations are interwoven into each other, played against one another and displayed in their own peculiarities. Actions withdraw representation. However, we can’t fall silent. On the contrary, what has happened has to sneak into videos, illustrations and texts to become part of the discourse. How do selfies relate to political demonstrations, records to performances, transcriptions to procedures, re-enactments to historical moments? Inevitably there will be oddity, stuttering, embarrassing silence, boredom. This, however, must not prevent us from repeating and repeating the Now again.